Yes, it's been two weeks since my last blog post -- sigh -- but it's been a crazy, whirlwind month. I had a couple of art things (including the Kaleido Festival in Edmonton), school started (I'm taking short fiction this year!) and I'm up to my eyeballs (ow) in writing gigs.
Craziness.
I should've expected as much, but it took me by surprise (as it does, every fall). Particularly the explosion of writing projects. I've been loathe to turn anything down since I'm heading to Europe Oct.6-18 (France and Belgium! Hurray!), and it's always good to fill up the coffers before I take time off!
Anyway, art-making has fallen by the wayside a wee bit - but I did make a wee comic recently. My friend Tammy Lee - a webbie, artist and comics genius - is showing me the ropes! So, over the last six months, I've been reading every graphic novel I can get my hands on (including plenty from the Library o' Tammy) and finally, FINALLY, I decided to start my own.
Okay, deep breath...here goes. Meet my alter-ego, "Grumpy Girl."
Yes, it's poorly scanned, and you can definitely tell that I got lazier with the second panel. But, I'm gonna give it the college try. There's so much you can do with sequential art (aka comics)!
As always, do not (seriously, don't) forget to check out the fine art works of my blog buddy, Mike Kendrick. He routinely puts me to shame! Lately, he's been showing off his graphic design skills. Check this shizzle out.
Thursday, September 22, 2011
Sunday, September 4, 2011
Flirtation with orange (Thing-a-Week)
A family friend once told the story of his younger cousin, who went to art school in New York City in her 20s. One semester, she called him and exuberantly declared that she'd "discovered" the colour yellow.
I can't recall the finer points of his story, but at the time it made me giggle until my sides hurt. This young artist's "yellow period" was hilariously pretentious. It was the kind of story that makes me hope and pray I don't turn into a flaky artiste.
That said, I've had plenty of love affairs with colours. At the risk of coming across as a complete and utter flake, I think I'm a little enamoured with orange, this month. This piece, acrylic paint and acrylic ink on 10 x 12" birch panel, is all about colour and texture. It began as a painting of the night sky - complete with cartoonish planets and space craft - and evolved into a bright abstraction.
I can't recall the finer points of his story, but at the time it made me giggle until my sides hurt. This young artist's "yellow period" was hilariously pretentious. It was the kind of story that makes me hope and pray I don't turn into a flaky artiste.
That said, I've had plenty of love affairs with colours. At the risk of coming across as a complete and utter flake, I think I'm a little enamoured with orange, this month. This piece, acrylic paint and acrylic ink on 10 x 12" birch panel, is all about colour and texture. It began as a painting of the night sky - complete with cartoonish planets and space craft - and evolved into a bright abstraction.
Thursday, September 1, 2011
Where the magic happens
While chatting with a rural artist at a trade show, I remarked that he must have a glorious studio. I imagined a deluxe set-up in an old refurbished garage or an unused barn or heck even a yurt. I was salivating at the possibilities.
But nope - it was quite the opposite. This established Canadian artist, whose work has appeared in galleries across North America and Europe, works at his kitchen table. Where he eats his morning cereal.
He must have noticed the look on my face.
"You can make art anywhere," he shrugged. "Why do you need a big studio?"
I can think of a few good reasons - but here's the biggest: domestic harmony. I may not work on huge canvases, or use fancy tools, like a kiln, but making art makes a mess. And, frankly, my spouse isn't thrilled with my junk all over the living room.
But, he's not wrong. There are ways to integrate an art space into almost any home. In our home, I've set-up my easel etc. in a sneaky little area between the couch and the fireplace.
Sometimes, I'll drag the easel back to my office, at the back of the house. Thanks to my handy-dandy tool box, I can shut the lid and haul my paints and brushes down the hall to tuck it away. I keep my paint palette in a very portable cake caddy, as well, so the paint stays wet longer (and prevents colourful cat footprints everywhere). Sometimes, I even use the removal cupcake-holder as a palette.
But I love the bright light in the living room and since it shares the space with a TV, my mini-art studio is a more social place to be. Most of the time, that's what I prefer.
Eventually, I'd love to have an entire room just for my art and I've got designs on a big room in our basement. It was recently re-done after a flood this spring, which destroyed the carpet and a lot of the drywall. Now, it's got this fancy, mold-resistant lino that looks like slate (it's not tacky, I swear!), a huge closet with mirrored sliding doors, and a brand-new window that opens like a dream. It's strangely bright in our basement, so I have no doubt I'd be comfy.
Problem is, the room is currently the office of our very lovely tenant. We're eager to pay down our mortgage quickly, and Natalie is the quietest, most considerate human I've ever met, so I hope she stays a long, loooong time. I'm happy to settle with the dream tenant and wait a little longer for the dream studio!
Where the magic happens. |
He must have noticed the look on my face.
"You can make art anywhere," he shrugged. "Why do you need a big studio?"
I can think of a few good reasons - but here's the biggest: domestic harmony. I may not work on huge canvases, or use fancy tools, like a kiln, but making art makes a mess. And, frankly, my spouse isn't thrilled with my junk all over the living room.
But, he's not wrong. There are ways to integrate an art space into almost any home. In our home, I've set-up my easel etc. in a sneaky little area between the couch and the fireplace.
Sometimes, I'll drag the easel back to my office, at the back of the house. Thanks to my handy-dandy tool box, I can shut the lid and haul my paints and brushes down the hall to tuck it away. I keep my paint palette in a very portable cake caddy, as well, so the paint stays wet longer (and prevents colourful cat footprints everywhere). Sometimes, I even use the removal cupcake-holder as a palette.
But I love the bright light in the living room and since it shares the space with a TV, my mini-art studio is a more social place to be. Most of the time, that's what I prefer.
Favourite shows include: Damages and Intervention (don't judge me). |
Eventually, I'd love to have an entire room just for my art and I've got designs on a big room in our basement. It was recently re-done after a flood this spring, which destroyed the carpet and a lot of the drywall. Now, it's got this fancy, mold-resistant lino that looks like slate (it's not tacky, I swear!), a huge closet with mirrored sliding doors, and a brand-new window that opens like a dream. It's strangely bright in our basement, so I have no doubt I'd be comfy.
Problem is, the room is currently the office of our very lovely tenant. We're eager to pay down our mortgage quickly, and Natalie is the quietest, most considerate human I've ever met, so I hope she stays a long, loooong time. I'm happy to settle with the dream tenant and wait a little longer for the dream studio!
This big toolbox has a top storage area as well as three drawers that slide out. A great place for brushes/pencils/tape/etc. |
Found at Canadian Tire: A cake caddy. It's air-tight and keeps paint wet for longer. |
Inside, a removal 'cupcake tray' has become a large-but-functional palette. |
Sunday, August 28, 2011
No regrets (Thing-a-Week)
It's a painful thing to admit, but summer is already winding down in Alberta. It's pitifully short, but at this time of year, I always have regrets: should have maintained that garden/gone camping more often/spent more time outside.
But I have no regrets when it comes to my art. Lately, I've been painting quite a lot in my free time - even squeezing in an hour here or there during my work days (it's one of the perks of working at home).
This week, I finished a large-ish painting (20 x 24"). I think of it as an 'abstract landscape.' I'd intended to paint a minimalistic ocean scene, but it morphed into something far more abstract. And, of course, it continues the bubble motif I'm apparently obsessed with. But I think it's partially the result of all of the "swimming" I've been doing lately (I just splash around with a flutter board and look awkward).
I've got a few other new paintings up my sleeve, too, and also a comic. I'm a little nervous about pushing it into the world (I've got a lot to learn about the genre), so I thank my friend Tammy Lee for giving me the nudge I need.
It's finished, but I'll probably post it tomorrow, after giving her a sneak-peak first!
Tammy's very skilled in the ways of comics (and also fine art), so check out her stuff online.
And, of course, don't forget to visit my Thing-a-Week pal Mike Kendrick's blog. For once, I've beaten him to the punch, but I'm sure he'll have another super-duper post for you today or tomorrow. Certainly check out his latest blog post, featuring terrifying monsters from the depths of his imagination. They will haunt my dreams tonight, I'm sure.
But I have no regrets when it comes to my art. Lately, I've been painting quite a lot in my free time - even squeezing in an hour here or there during my work days (it's one of the perks of working at home).
This week, I finished a large-ish painting (20 x 24"). I think of it as an 'abstract landscape.' I'd intended to paint a minimalistic ocean scene, but it morphed into something far more abstract. And, of course, it continues the bubble motif I'm apparently obsessed with. But I think it's partially the result of all of the "swimming" I've been doing lately (I just splash around with a flutter board and look awkward).
I've got a few other new paintings up my sleeve, too, and also a comic. I'm a little nervous about pushing it into the world (I've got a lot to learn about the genre), so I thank my friend Tammy Lee for giving me the nudge I need.
It's finished, but I'll probably post it tomorrow, after giving her a sneak-peak first!
Tammy's very skilled in the ways of comics (and also fine art), so check out her stuff online.
And, of course, don't forget to visit my Thing-a-Week pal Mike Kendrick's blog. For once, I've beaten him to the punch, but I'm sure he'll have another super-duper post for you today or tomorrow. Certainly check out his latest blog post, featuring terrifying monsters from the depths of his imagination. They will haunt my dreams tonight, I'm sure.
Tuesday, August 23, 2011
Hey, remember me?
It's a bright, sun-shiny morning in Edmonton, and after two hell-ish weeks, I am finally turning my attention to art.
After many, many mornings at my desk at the break of dawn, writing like a maniac and conducting phone interviews, my schedule has relaxed. I'm looking forward to not writing 7,000 words this week and painting at my easel.
Oh - and blogging about it, too!
In spite of the craziness, I did manage to finish some art, believe it or not (just ran out of time to update you, dear readers). I painted today's piece with acrylic paint on a 24 x 30" wooden panel. I used some gel mediums to add a little shine to the piece, but I plan to spray it with a high-gloss varnish, to protect it from UV exposure and add a nicer finish.
I'm also behind on my next newsletter and plan to catch up later this week. It's time to reveal the winner of my first art give-a-way! I'm excited.
Not surprisingly, Mike Kendrick has already posted his Thing-a-Week. I'm always impressed at what that dude accomplishes. I really struggle with self portraits, but he makes it look easy (and Mike, you don't really look like a wanted felon. For serious.)
After many, many mornings at my desk at the break of dawn, writing like a maniac and conducting phone interviews, my schedule has relaxed. I'm looking forward to not writing 7,000 words this week and painting at my easel.
Oh - and blogging about it, too!
In spite of the craziness, I did manage to finish some art, believe it or not (just ran out of time to update you, dear readers). I painted today's piece with acrylic paint on a 24 x 30" wooden panel. I used some gel mediums to add a little shine to the piece, but I plan to spray it with a high-gloss varnish, to protect it from UV exposure and add a nicer finish.
I'm also behind on my next newsletter and plan to catch up later this week. It's time to reveal the winner of my first art give-a-way! I'm excited.
Not surprisingly, Mike Kendrick has already posted his Thing-a-Week. I'm always impressed at what that dude accomplishes. I really struggle with self portraits, but he makes it look easy (and Mike, you don't really look like a wanted felon. For serious.)
Tuesday, August 9, 2011
Thing-a-week: Painting trees on trees
This week, I finished one tree painting on a wooden panel and started another...


I'm loving the feeling of wood under my brush and the smell of birch. Dee-lightful!
Also found this snappy app to post blog entries with my iPhone. Snazz! Expect more regular posts from me, directly from the studio!
- Posted using BlogPress from my iPhone


I'm loving the feeling of wood under my brush and the smell of birch. Dee-lightful!
Also found this snappy app to post blog entries with my iPhone. Snazz! Expect more regular posts from me, directly from the studio!
- Posted using BlogPress from my iPhone
Monday, August 1, 2011
Thing-a-week: Digital commission
Earlier this summer, I received an e-mail from a fellow writer living in Edmonton. It was rather out-of-the-blue -- we hadn't spoken for a couple of years. Apparently, she'd been surfing the web for pregnancy-related art and stumbled across a digital painting I'd posted on my ImageKind.com account.
She loved the mood of the piece, and the aesthetic, and wanted to see more of my work. A few weeks later, she came by to view some of my other pieces (all acrylic on canvas) but nothing really resonated with her. There was something about the digital painting that really appealed.
As we chatted, it dawned on me that I could create a new digital piece, similar to the painting she loved, with a figure that resembled her. After a few tweaks, we came up with the image above. I had it printed on stretched canvas and will never print another on canvas, to ensure she has the 'original.'
It was a fun process and makes me want to explore digital painting a little bit more. It took years for me to warm up to the idea, but I've been tinkering with photoshop and my Wacom tablet for about a year now.
My goal is to upgrade to a larger, fancier tablet later this year. I've got my beady little eye on this one...
...which is what Mike Kendrick uses in his day job as a graphic artist. I'm more than a little jealous!
Speaking of Mike, check out his thing-a-week too. He's posted some old, and new, drawings from his sketchbook which chart his growth during the year. Very cool.
I think this thing-a-week business is paying off for both of us!
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